Saliva Every Six Seconds Girl in the Cover Art
Saliva, Every Half-dozen Seconds Album Review:
Released on March 27th 2001, Every Six Seconds is the follow up to Saliva's eponymous debut anthology. With many of the bands songs featuring on WWE television & PPV'due south, I'1000 sure many of you will have heard a number of the bands songs, including a few featured on this album &, as previously stated in our Legends Of Wrestling 2 review, a vocal or two have been featured in video games as well. The title of the anthology Every Six Seconds has been referred to by lead vocalist Joey Scott as being about where society was at the fourth dimension. The everything now civilization which is nevertheless rife in todays world as well as referring to how often men call back of sexual practice. And then with the title having a meaning to the band how would the actual content of the album stack up? Let's accept a track by runway heed of Saliva, Every 6 Seconds.
Album Art:
Now with the aforementioned meaning to the albums title you tin can see how the album art ties in with the framework they're dealing with. The album cover features a close upward shot of a woman's open rima oris & cervix that is adorned with a Saliva necklace. There's non much else to the album cover really, it's simple only provocative at the same time. The close up of the woman's mouth & cervix with the mouth being in a suggestive state of pleasure ties in with the album championship & the necklace of Saliva puts there name forepart and centre. The albums title is nowhere to be found on the forepart encompass, though it is situated on the side of the album case.
Track one: Superstar
I of the most recognisable songs e'er released past the band (Especally to wrestling fans) Superstar is the perfect opening track to the album. The building gust of wind echoes throughout the commencement of the track until it builds into this tornado of sound, bursting through with some Nu-metal goodness. The guitar track is heavy that just rips through everything on this recording. The lyrics tie into the albums championship with the song touching on wanting to be a superstar & the pitfalls it brings, sort of an early Rockstar past Nickelback if you volition. The song is perfect for wrestling & nigh sporting events in general with the vocal being featured on numerous different things including video games such equally Tiger Woods PGA Tour 2003, MX 2002 & Legends Of Wrestling Ii. Films such equally The Fast And The Furious, A TV special of Dragonball Z entitled Bardock: The Father of Goku & of form the soundtrack to Wrestlemania X8. A fantastic song & a peachy opening to an album.
Track 2: Musta Been Wrong
Bit of a let down now with the 2d track on the album as Musta Been Wrong feels a niggling uninspired. That Saliva sound is at that place with a decent guitar runway, rap metal fashion breakdown late on in the song etc. only it just feels a piffling tedious. The lyrics are repetitive merely not in a practiced way, the subject area matter of a relationship breakdown is fine only zip hither feels genuine or with whatsoever existent emotion poured into it. The song only feels similar a quick ten minute additional track that was needed to fill out the album. Not a vocal I will revisit & not i that I particularly enjoyed which is a shame.
Rails iii: Click Click Blast
A return to from now with a Nu-metal/Rap metallic classic. Like Superstar, Click Click Boom has been featured in numerous films, video games, Boob tube Series & of course was the PPV theme for WWF No Mercy 2001. From the moment the first drum is striking & the kickoff guitar sting is strum yous know you're going to get another difficult hit, headbanging awesome vocal from the band. Information technology blends elements of bog standard nu-metallic & the new wave of rap metallic together nicely, creating an anthemic rails that is well suited to sporting events & other high octane, action packed situations. The lyrics & video touch on a young kid who is reluctant to join in with others, a scrap of a loner, only somewhen is comfortable enough to proceed with the mosh pit, so much and so that he continues to mosh afterward the ring has finished playing. Great track that is more then likely on a few peoples playlists.
Track 4: Your Illness
Another track that has gone on to feature in numerous TV series & films, Your Disease is arguably my 2nd favourite Saliva track behind Always. This one leans more towards rap metal with the verses being performed in this style throughout before the chorus gives you time to jiff & has more of a platform for Joey Scotts vocals to polish through. The wearisome loss of confidence & self belief throughout the song earlier it'south great breakdown earlier the last outing of the chorus of the song is nicely structured throughout. The song flows well, has sections throughout the rails that give each member time to shine & information technology even has a Bee Gees reference in information technology! What more could you enquire for?
Track v: After Me
A little change of pace hither with a slower paced, more cogitating & cocky viewing vocal at present. After Me touches on feelings of beingness alone in the globe & losing your faith in either your spiritual beliefs or it could be other people every bit well. The slower paced verses & chorus intertwine better with the subject field matter at hand here, with Joey Scotts vocals adjoining on despair & reclusive in at that place delivery. A nice guitar solo in the latter stages of the song & that quick burst of acrimony in the chorus when Joey screams "The World Is After Me" helps the song flow nicely whilst too giving it a piffling more spice & individuality.
Rail 6: Greater Than/Less Than
The slower footstep continues at present with no existent rap or even nu-metal in sight for me. Instead we get a rock song that is kind of unique in it's approach for me. Love the chorus in it'southward delivery & reaching vocals, love the verses for at that place downwards beat arroyo & never really diverting from this remit throughout the track. Lyrically I tin't actually decipher it'south true meaning or connect with information technology hugely merely I yet find this an enjoyable album track that tries something dissimilar for the band, which I've previously stated I will ever applaud & respect a band for doing. The only real gripe is the long outro to the song. Something like that I think is ameliorate situated at the finish of an anthology, though information technology does sit down in the middle of the album so maybe it can exist seen as a little interlude to guide us into the 2nd role of the anthology.
Track seven: Lackluster
The title of the song is apt as the runway is only that, Lackluster. It doesn't actually attempt anything new or take information technology's own postage stamp on the album compared with previous songs. I honestly forgot how the song went a couple of tracks after this 1. It'southward not a bad song in a sense merely it never really gets going or has that niche to it that draws me back to it. Instead information technology just feels like a bog standard album track that won't get to see the light of mean solar day all that much on it's own. The longest song on the anthology so far & information technology certainly feels like it.
Runway 8: Faultline
Now the composition of the track I bask here. I savor the heavy, sludgy sounding guitar vanquish that brings the aggression back to the album a trivial but lyrically I think it's a little uninspiring. The chorus doesn't really period all that well for me which is a shame as it never actually has that hook to go your head nodding along with the track. It's meliorate then the previous track for me so that is a positive but in isolation I call back it's an average track at best. There is something there that I think with more work could have go a skilful solid album track, but alas information technology's non to be. A miss for me.
Rail 9: Beg
A bit of a render to form now with this rap metal track. Beg has tricky sections throughout the track that will have you nodding your head & signing along. The assailment is turned up once once again with the return of a faster paced, sharper track. Lyrically the song is a little self serving touching on the hardships & struggles they had to go through in order to claim the life they now have, whilst informing the listener that they must get through these troubles also if they want the same kind of life. It's a little egotistical whilst also serving as motivation also. A much better track then the previous few & a solid album rail.
Track ten: Hollywood
Arguably the poppiest song on the anthology but that fits perfectly with the meaning of the track. The lighter tones, more radio friendly rock vibe composition of the song is pleasing on the ear & sounds neat. Hollywood focuses on an individual who is leaving his old life behind, his friends, his family unit all to hunt the dream of fame in Hollywood. It's a vocal about selling out which is a nice change of pace from the aggression that has filled about of the anthology. It's filled with all the troupes of a pop song, mainly chorus which is tricky & serves for the listener to sing along. It does all this to ultimately rip apart this way of living. Great album track that is definitely worth a mind.
Track 11: Doperide
Fans of Monster Jam volition be well aware of this track as information technology is the theme song for the Monster Truck Maximum Devastation. The song, similar many before it on this album, is well suited for sporting events, gym session, fast paced high octane situations etc. so to come across it used in Monster Jam is no surprise for me. It'southward a rap metallic smorgasbord of all the usual saliva tropes y'all will be used to by at present. Fast rap verses, aggressive screaming chorus, talking breakdown section late in the runway though I practice retrieve that'south a piffling bit poor in this song. Compared to songs of a like ilk that appear before in the album, Doperide doesn't actually stack up but that's not to say it'southward a bad song, non at all. Doperide is a solid album track that hardcore fans of nu-metal & rap-metal will love & casual fans of Saliva'due south singles volition find something they enjoy about as well.
Track 12: My Goodbyes
We end with the longest vocal on the anthology at present clocking in at over vi minutes long. Love the opening of the track hither that infuses a demonic metal track with some weird country & western vibe to information technology too, which serves to create a very unique sound. The composition of the rails is enjoyable & probably the most standout song off the anthology with information technology'due south unique audio for the about function. It does sideslip into the standard Saliva sound around halfway through the rails which I exercise recall permit's the vocal down a lilliputian bit, but I do understand why it'southward washed equally it does fit the lyrical content of the song at that point. Lyrically the song touches on the loss of a loved 1 whilst also beingness remorseful well-nigh not being able to apologise for the hurting or suffering they have caused the one who has passed on. It's a great song to end the anthology that I think showcases the versatility of the band going forward on future releases.
Overall Rating: seven/x
Every Six Seconds is a decent follow on to the bands eponymous debut album. There are some standout tracks that take been hugely successful for the ring such every bit "Supersar" & "Click Click Boom" every bit well as some solid album tracks in the class of "My Goodbyes", "Hollywood" & "Beg". There is a bit of a lul in the anthology just after the halfway point which really lets the album down for me as they all come at the same time which probably hinders it. If these tracks were spaced out in the anthology Information technology may take flowed better in sure areas. All in all Saliva are crafting out there own sound with this album with some heavy hitters, though they are still working through some kinks in their armour. The album is definitely worth a listen though I would suggest the heart department of the album tin can be skipped over if you want to.
Source: http://bettercallcreative.com/saliva-every-six-seconds-album-review/
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